Unbound
New Zealand’s architectural identity embodies a well-established set of ideals. These ideals stem from the national myth of ‘the bach’ and predominantly see architectural practice in Aotearoa represented through nuances of selected forms and materials in remote locations. Outcomes of this condition are found throughout the pages in local design press, reinforcing the myth as the norm. While this architectural aesthetic is one that many New Zealanders find deeply familiar and desire, it is unattainable for the majority.
This thesis looks to answer how this kind of ‘New Zealand architecture’ can be made more accessible for the wider population – while simultaneously critiquing and exposing the myth of the bach embedded within.