One of these is not like the other

This collation of drawings drifts within the realm of a reflective practice, one that does not result in a built space but alludes to the potential of understanding and uncovering new space. Tied furiously to the method by which it’s made, they start to unravel the printed line. To look within the act of making itself is where this thesis research resides, creating a personal practice that explores and investigates the uncertainty of a marked line when cast over a surface, however broken, bent, or distorted it gets along the way.

It sits first, among architectural drawing, seen as a reliable tool for communicating space. Rarely does one feel the need to push past its limits. In the hope of removing the static that exists within architectural drawing, in particular the rise of digital drawing, the hand-crafted is celebrated for its imprecision. This thesis aims to allude to and propose new space like one might create a ‘slow drawing’. Done through a series of slow drawings and reenacted through the means of printmaking, these works are designed to erode the conventional way of looking at and, eventually, making architecture.